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  Author interviews >   Frederic Martini Interview


 Writing from personal experience.

Frederic Martini relates anatomy to everyday life.

Frederic Martini received his Ph.D from Cornell University in comparative and functional anatomy. His publications include journal articles, technical reports, magazine articles, and a book for naturalists about the biology and geology of tropical islands. He is the coauthor of six undergraduate texts on anatomy or anatomy and physiology. He is currently on the faculty of the University of Hawaii and remains affiliated with the Shoals Marine Laboratory, a joint venture between Cornell University and the University of New Hampshire. Dr. Martini is a member of the Human Anatomy and Physiology Society, the American Physiological Society, and the American Assocation of Anatomists. He is also a member of the National Association of Biology Teachers, the Society for College Science Teachers, the Society for Integrative and Comparative Biology, the Western Society of Naturalists, and the International Society of Vertebrate Morphologists.


BC | What got you interested in studying comparative and functional anatomy? How have you carried your Cornell experience into your textbooks?

FM | From the time I was in kindergarten, I've been interested in evolution and the way animals "work." My graduate committee at Cornell consisted of Perry Gilbert, perhaps the most influential American comparative anatomist of his generation, William Wimsatt, a comparative histologist and embryologist, and William MacFarland, a comparative physiologist. My doctoral work was on the comparative pathophysiology of stress, looking at how the stress response in sharks differed from that of other vertebrates.

When you are trained to look at things from a comparative standpoint - whether it's anatomically or physiologically - you are always aware of the "big picture." Facts and observations are always organized and filed in that framework. So that's how I build my textbooks - present the big picture first, and then present the details in that context. This is really the only way to keep track of the number of details one encounters in these courses. You can't memorize everything - you've got to understand the patterns. When teaching, I found that this approach - create a mental filing system first, then present the information in a way that it can be filed easily - really helped students avoid information overload.

BC | Tell us a bit about your research work with marine life. How has your research influenced your textbook writing?

FM | Well, I really have two separate research lives. In the A&P world, I've been working for the last five years under an NSF grant working on the development of student-oriented software utilizing the Visible Human dataset created by the National Library of Medicine.

Meanwhile, I've been doing fieldwork looking at the respiratory physiology, ecology, and systematics of hagfishes, our most distant relatives - their ancestors diverged from ours somewhere around 525 million years ago. This work has taken me around the world, given me the chance to do deep-submersible dives in the Atlantic and Pacific oceans, and resulted in technical publications that include research journals, chapters in reference texts, and articles in Scientific American and other popular magazines.

So I wear two hats. The NSF work keeps me abreast of the latest media developments and options. The marine work really has two benefits for my textbook projects - it forces me to keep current in the physiological literature and it also makes sure that I don't get too complacent. You can't get a very big ego when you are regularly subjected to a drubbing by anonymous reviewers.

BC | You've met A&P students across North America, Australia, and New Zealand. What advice do you give them about managing the amount of terminology, facts, and concepts that they must learn in the course?

FM | There's just too much material to try and memorize it all. I tell them to keep the big picture in mind, and use it to create a mental filing system for the information in the course. If you learn to recognize the major themes and patterns, you can often avoid rote memorization - or if you forget something on an exam, you can use the patterns to figure out the correct answer.

I should also note that this is a two-way street, and students have also told me - in no uncertain terms - what I can do to make their lives easier. Most of the key pedagogical features in my texts, including the concept links, concept checks, figure-locator dots, and 3-level review system, were developed in student focus groups to address the problems they were encountering in the course. So, when talking to new students, I make sure that they understand what these features are for, why and how they were created, and how to use them to good advantage.

BC | Your books emphasize the practical relevance of anatomy and physiology to everyday life. How have you made this point in your textbooks?

FM | Students come into the course with a lot of practical experience in this field - they've all had accidents, caught colds, dealt with sick relatives or friends, and taken medications of one kind or another. In the text, I've tried to relate the basic information to these kinds of experiences. In the Applications Manual, I go a bit further and give them the reference information they need to answer personal health questions, interpret basic lab tests, and place this information in the larger context presented in the textbook.

BC | Your books encourage students to explore resources beyond their textbook. What reading material (or other sources) do you like to explore as you are working on your books, and why?

FM | When I'm working on a new edition, I have one 7-foot bookcase at my desk that I load with reference books whose identities vary depending on the book I'm working on. I use these to check myself and answer reviewer questions. I always work from an annotated copy of the previous edition. Those annotations include any changes I plan on making based on conversations or experiences over the intervening years, as well as copies of journal articles and excerpts from the primary literature that I've flagged as relevant, plus articles from medical journals that my wife feels are worth considering.

Without blathering on unduly, I'd list my most important journal sources as: JAMA, New England Journal of Medicine, Science, Nature Medicine, Physiological Reviews, Science and Medicine, and Developmental Anatomy. In terms of reference volumes for A&P, I'd cite: Molecular Biology of the Cell, Molecular Genetics, Bloom and Fawcett's Textbook of Histology, Harrison's Principles of Internal Medicine, Ganong's and Guyton's Textbooks of Medical Physiology, Human Development, Patten's Human Embryology, Fundamentals of Neuroscience, Physiology, and Biophysics, to name but a few.

Turn to the A&P textbook that sets the standard for excellence in writing, art, and media

Fundamentals of Anatomy & Physiology, Sixth Edition
by Frederic Martini

Also by Ric Martini:

Human Anatomy, Fourth Edition
by Frederic H. Martini,
Michael J. Timmons, and
Robert B. Tallitsch

Essentials of Anatomy & Physiology, Third Edition
by Frederic H. Martini and and Edwin F. Bartholomew

 

 
 
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